Space Station Mir

47. Out of Oz by Gregory Maguire Finally finished the Wicked Years. Out of Oz finishes the story in some ways, and just leaves it open again. Oh well. I don't know how much closure I expected. Still best read for the dark and amusing riffs on the land of Oz. 48. The Taming of the Queen by Philippa Gregory (audiobook) One of my favorite of Gregory's, and I've read nearly everything by her. Katherine Parr is, in my opinion, the most interesting of Henry VIII's wives, both because she survived and because she was one of the first women to publish in English. Also, I wasn't aware of the relationship between her and Anne Askew, a contemporary female preacher, a relationship which is central to Gregory's novel. As usual, Gregory takes an inventive approach to history, creating the highest possible stakes drama (as if the Tudors weren't dramatic enough!). I've also felt that Gregory's later books, like this one, and The White Princess , feel m

1. Two of the bloggers I follow went to Jonathan Safran Foer readings recently, as did I. It's interesting to hear the different takes on him and his work. When I saw him, he was introduced by his mother and his whole family was there! I didn't realize he'd grown up in D.C., so that was quite a surprise. It also made more sense why his new book is set here. He read the passage about the urinal that he's apparently read elsewhere. Although I loved his first two novels, I'm not sure how I feel about this one...I did start reading Here I Am , but I haven't gotten to the urinal scene yet. 2. I missed the National Book Festival and the Baltimore Book Festival and all the other bookish events the weekend before last because I was sick. I hate that I missed Carlos Ruiz Zafon and Ann Goldstein and so many other interesting writers. At least I saw JSF the week before. 3. I just celebrated Rosh Hashanah, and spending that time concentrating on how I can be a better pe

I've wanted to read Cold Comfort Farm ever since I learned it is one of Boston Bibliophile's favorite books . Her allusions to it piqued my interest, and while browsing in the library the other day, it caught my eye. Gibbons' wit suffuses this offbeat, Austen-inspired novel. First published in 1932, it's set in early twentieth century England, when the recently orphaned and consummate cosmopolitan young Flora Poste resolves to rely on the generosity of her country cousins, and furthermore, adjust their lives to her convenience. Flora remarks to a friend: I am only nineteen, but I have already observed that whereas there still lingers some absurd prejudice against living on one's friends, no limits are set, either by society or by one's own conscience, to the amount one may impose upon one's relatives (15). Zingers like these abound, and this gem and the one below were two of my personal favorites. In her equally amusing foreword, Gibbons notes that s